Friday, December 4, 2009

One of the Poems Readers Have Been Asking to See

This poem is about independence and interdependence within relationships.  It's about the space where two hearts intersect healthfully, as well as the spaces where they are individuals, each being true to themselves and to each other...achieving a balance of flowing and letting things flow.  It also recognizes their connectedness within a broader community.

OPEN TO THE SKY

by

D.M.Solis

Let’s go where this is taking us
to the parties in the high rises
where the bureaus are awash
with perfumes in Lalique atomizers
ambers and golds.
Let’s inhale every fragrance
intoxicating wafting heavenward
but not lose our senses or our selves
in the wonder and perfume.
Let’s keep hold of Us
in the good champagne and beautiful
women, not losing track of
who and all we are.

We could easily
fade into all of it, the music
and the dancing
the cufflinks and razzmatazz,
and we could stay right here
just as easily getting lost in
you and me
fading into each other
into the voice of the cello,
one cloud dissipating into another
never getting home.

Promise me and I’ll promise you
we will share all we’re given
but NOT get sucked in or under --
we will be the leaves
floating along this mystical river
tasting the present
warmed by sun, cooled by water
all a balance of flowing
and letting this flow.

We will discover
worlds we know and dream,
each others’ heroes and saints.
But we will NOT
while getting to know you and me
be greedy sponges on the floor.
We can find and be more
for ourselves, for each other
keeping ourselves
distinctly true
not losing track of who
we are, we’re becoming…
balanced like a leaf-boat
in a Decco pool with scalloped edges
under a bright blue cloudless morning,
we are awash in beauty
in purity and sunlight --
floating on the water
we are open to the sky.

When I was four and five we rented an apartment at a court managed by my mum's aunt, on a hill overlooking Sunset and Grand Avenues in Los Angeles.  From Aunt Mary's window, looking across her bureau of perfumes, I would contemplate the city at night.  The lights of the sky scrapers against the blue-blackness often struck and captivated me.  Years later, invited to parties after my beloved passed, meeting all kinds of "beautiful people," some with what I learned were questionable even harmful motives, leaving my coat or purse on a bed with all the others, I would look over the bureaus, out at the city lights at night and reconnect with my sensitivity and preciousness...the image and memory would remind me to take care of me. 

My dear and beautiful friend, Desiree, passed away recently.  Desiree collected Laliques.  This one is from TWO WOMEN, and is for Desiree, with great love.

Comment on the poem or an image from your youth or childhood?  Tell how an object from the past or a distant memory is a touchstone, a kind of protector or a healing image for you these days?

Sunday, November 8, 2009

Snippets of Two Poems from TWO WOMEN

HOW WE BEGIN...TO BEGIN AGAIN
(This snippet is from a poem about healing.)

I sink into your couch
body and soul-weary from all this
frail as a premature quail egg.
See the membrane a blue pallor
a translucence through the waiting...
waiting...
then chalky and cloudy
all hope
all but gone.


OPEN TO THE SKY
(This excerpt is from a poem about achieving a balance in our relationships with others and ourselves.)

We could easily
fade into all of it, the music
and the dancing
the cufflinks and razzmatazz,
and we could just as easily
stay right here
getting lost in you and me
fading into each other
into the voice of the cello,
one cloud dissipating into another
never getting home.

 
The voting so far has these two leading...would you like to see the rest of one of them...or another from the list of titles in TWO WOMEN scrolling down to the right?  (Then, don't forget to choose a song too, scrolling way down past the coy pond....)

Friday, November 6, 2009

MY PASSION FOR ANIMALS and Other Sentient Beings -- a cautionary tale in short stories, essays and poetry, by D.M. Solis

Introduction

I got divorced. You could say that was the beginning. Not long after that, our dog died. To all appearances, I imagine it seemed I grieved her death more than that of the marriage, which really began to falter only six months into it. There were plenty of reasons on both sides. There always are. But on the surface of things his family was the most obvious thorn in both our sides. Their intrusions, that is to say, his difficulty standing up to them, churned up numerous issues.  I loved him then and now.  But it wasn't to be.

In summary, and in the words of his therapist, he took a lifetime of pent-up anger at them…out on me. Two sides to every story, I know. Well, I can only tell my side of it. Anyway, we (my in-laws, who rarely came over but were always between us, the husband, the dog, and I) languished and lingered for fourteen years. I know that’s an awful long time. And we didn’t even have children, other than the dog.

Why would anyone stay that long? Well, I was heavy into my vows and I was devoted, among other things, to trying to prove that he and I weren’t anything less or more than we appeared. By the end, when the dog died, clearly I was grieving a lot more than the loss of my faithful companion. Indeed, I was grieving many disappointments and broken promises, spoiled dreams, wasted time, ultimately the death of whatever it was I wanted or tried very hard to be for the first forty-some years of my all but transparent life. I said there were plenty of reasons, on both sides.

Our pup’s name was, “Iggy,” short for, “Ignatius,” and Iggy was a she. In the course of her aging, I learned many things about how to care for an old dog through one injury or malady and another. I learned, not only that I had the stomach for it, but that I was pretty good, and, as with the marriage, that I was devoted. My vet said the testimony of my devotion was the fact that Iggy, a runt, with a number of genetic challenges, and a basset hound at that – such a large dog “bred down” into such a small body -- had lived a relatively comfortable, characteristically happy life for all of those fourteen years. I don’t know if all vets say that to all divorced women when they lose their longtime only pet and only child. Here’s the thing: Bassets only look melancholy. They’re actually a very happy, even whimsical breed -- an ironic metaphor, for the marriage and my life up to that point, to be sure.

When it was time for the husband, who had become more of a brother by then, to go, I bought him out. So I stayed with the house. It was a large home with a wonderfully exotic yard, full of hidden walkways and secret gardens. I tended the lawns, trees, shrubs and every blossom, pretty much by myself. I had also been freelancing as a writer and editor, and was starting to make real progress, that is to say, a living at it. But there was a new wrinkle. I had, in the course of freeing myself and getting real, been richly affirmed by the birth of a new relationship with someone who would become the Love of My Life. And Life can be so unpredictable, can't it?  In due time, Patricia, a school teacher, became seriously ill. Soon my beloved’s illnesses dictated to me that we were going to need something a little more solid than a dream-vocation that was just starting to pan out, and my individual health insurance plan. Would I return to work as a technical editor? As a human resource development specialist? As a teacher? Or was there something else?

After a lot of deep soul searching, and encouragement from Patricia and other family and friends, that fall semester, when the country would be assaulted by the attacks at the Pentagon and Twin Towers, to say nothing of the emotional and physical assault with which my beloved would soon be assuaged, I began a kind of quest. This is the story of a semester within that year…of animal science classes. It forms a framework for the tale of a lifetime of encounters with a number of creatures and for the narrative of my devotion and passion for animals and other sentient beings over several years. 

So this is one of the books I’m working on now. What do you think so far?  Thank you for reading…much more to come.

Tuesday, November 3, 2009

Most Requested Poem...this one comes with a creative writing prompt at the end.

COSMIC VALENTINE

by

D.M. Solis


Beyond the sweet tang of wild pomegranates splitting open
so their seeds spill out into the soil
with the soft scent of pear blossoms still on the wind…

Down at the reservoir, before they dammed up
all that water, where even my father was a child once
when cattails and manzanita grew untrimmed and untamed
among tarantulas, tadpoles, and bobcats
hummingbirds and bees
with lizard-snakes and falcons….

There eagles flew -- I saw them.
They soared – I felt them.
Wild horses ran flying by
while I climbed, my feet in clay
lungs full of air, face to the sun
and my long dark hair in careless tangles.

My spirit was always searching there
beyond the sacred Beyond
for you, Cosmic Valentine,
your face in the clouds, I knew even then…
certain I would find you
carrying you within.

For your creative writing journal or to share at the blog.  NOW IT'S YOUR TURN:  Tell about an exotic place you remember or imagine.  Try for one to three pages.  Be as descriptive as you can, using all of your senses.

Sunday, November 1, 2009

DOES GOD EVER CRY? (The Song You Wanted to See)

Words and Music

by D.M. Solis

In the games they play for power
some destroy as much as they build here.
Men pretend they own the world, that they can
take what they want and
abuse their fellow humans.

CHORUS:
Does God ever wonder at what She finds?
Does Goe ever cry for humankind?
Does He sigh and look the other way
Or does She cry at the end of the day...
Does God ever Cry
at the end of the day?

We've been given fields of daisies
so alike, but no two are the same, see?
Humans choose to nurture or destroy them
flowers and oceans,
even oceans of children!

CHORUS:
Does God ever wonder at what She finds?
Does Goe ever cry for humankind?
Does He sigh and look the other way
Or does She cry at the end of the day...
Does God ever Cry
at the end of the day?

Copyright 2000, D.M. Solis

This song was inspired by the flower scene in the movie, "Harold and Maude."  I've posted the clip at my facebook page. 

Coming next, the new poem readers chose.  By the way, any time is a good time to vote for the next song and poem.  

Meanwhile, here's part of a poem I'm working on now, about a favorite street in California.  I don't reveal the name of the street because I don't want word about it to get around.  I treasure it and want to share it...but I also want to keep it a secret.  So, here's as much as I will say for now.


NAME OF STREET WITHHELD

by

D.M. Solis

There is a street in Venice, California
where the gardens are all secret
if you only go by car.
But if you walk to or from
the ocean or the setting sun
among scalloped leaves in sentinel hedges
exotic blossoms gently obscure....


Wishing you a soulfully beautiful All Saint's Day, those who contemplate or honor it.  Who are the saints you've met on your journey?

Thursday, October 29, 2009

A LITTLE MIRTHFUL MISCHIEF ... CAN DO A LOT OF GOOD...More Serious Play

I have always been an instigator...of mostly good.  Here's a new one for creative writing and for those of us who rely on phone calls and email a little too much, at times:

Write a postcard to someone you appreciate from their favorite fictional character in a movie/book. Sign it, "Love, Miss Havisham," or whatever's appropriate. Mail it or have someone else mail it if they go on a trip soon. Tell or don't tell the recipient who it's from.

Teachers, this is an enjoyable exercise after studying a classic or following a chapter in history. Let students decorate the postcards and have them read them during group read-arounds, or to the whole class...post them. Enjoy!

There are a few days remaining to vote for the next social justice, love, or story song I'll be posting to the blog...and for the next poem from TWO WOMEN.  Titles or posted at right if you scroll down...and then way down.  Votes have been plentiful this time and they're all over the place.  Have you voted yet?

Monday, October 26, 2009

Planning Your Next Artist's/Writer's Retreat -- From the Dancefloor to the Balcony

I like to study the faces of my beloveds when they're interacting with each other, or looking at me.

I don't like the way some digital cameras, even the good ones, distort or limit what's really there.

I like to see not just what the camera sees...but what's happening...and what it means...and not just what it means to me.

For your Journal/Creative Writing: Take pictures of one day...one entire day, weekend, or week.  If you have a camera and want to use it to accompany your journal entries, do. 

With the camera or just with your mind, frame each picture like a camera's lense.  Describe the details, everything, just as a camera would see it.  Be objective.

Then, go beyond the frame and deeper than. Tell about each picture...from your heart.  Now you're being subjective as you want to be...or as you can. 

I call this going from the dancefloor to the balcony.  One moment, you're part of what's happening.  The next, you're apart from it, taking it in from a much wider perspective, with a great panoramic lense...telling not just what you see, but seeing beyond it, and seeing what it means.

With practice, you can do both at the same time.  It's like driving in traffic...and being a tiny hummingbird hovering, or a great blue heron flying above your own car...what's going on in your mind and heart, in the noise and the smoke, and far beyond it.

The trick or key is, never to stay just on the dancefloor...and never to stay just up in the balcony.  For a full life of learning, growth, and creativity that is both meaningful and rich in the textures of your relationships (with God or Creation, Self, and Others) and experiences (here, within, beyond), you want to be able to have a balance of both, you want to be able to go back and forth from the dancefloor...to the balcony...to the dancefloor...to the balcony.  So, in due time, you can experience everything, not just in one dimension, or two, or even three...but in four...going wide and deep, all at the same time...all the time.  This practice gives you the seasoned painter's perspective of the orchard...you take a photo that is at once so pure and complex, that the viewer sees the tendrils of the vines, the pearls of dew collecting there, and inhales the fragances of the grapes, the richness of the earth, the transcendence of the mist, and wealth beyond and within every grape and hillside.

The gift of this retreat, this practice of moment to moment precision and fullness...is the transformation you experience and may facilitate for others along the way. 

Onward?

Saturday, October 24, 2009

Five Things...HEROES AND MENTORS

To Journal/Discuss or Comment below: Tell about one, two...or five of the HEROES and MENTORS in your life.  Remember, heroes and mentors aren't necessarily people we've met.  They can be people we've read about or followed.  Their histories and stories inspire and teach us.  Now, tell about yours here or in your travels today...perhaps they'll inspire others too.

Who where they?

Why did they matter?

What did they model for you or teach you?

How do they continue inspire you now?

Thanks for contributing to the conversation.  Peace, inspiration, and all good things for you.  ~ Diane

Friday, October 23, 2009

INSPIRED by the HEROES "FIVE YEARS" Episode

Did you watch it?  What did you think?  I've been among other things inspired to project a bit forward in time and...to remember.  Here are some prompts for our individual and collection creative image-in-nations: 

1.  Writing expansively from this true moment now... For Your Journal/Discussion/Creative Writing: Your life, just ONE year in the future. Your family's, your community's, our nation's?  5 minutes each.

2.  Journal/Discussion/Creative Writing: What might life be like FIVE years in the future? 10 minutes. (Go for TEN years?  Imagine TWENTY?)

3. Some rainy days when my brothers and I were children, Mum would declare, "It's pajama day!" and three little kids would play hookie at home, in pajamas all day with our mother. After a full morning inside with three energetic children (some might say, hyperactive kids), Mum, would come into the living room bearing raingear and declare, "It's go outside and splash in the puddles day!" Mum's motives may have been mixed...and we had such a wonderful time!

For your Journal/Discussion:  Tell of a happy surprise from your childhood.

4.  There are some people, former senator Barbara Jordan, for example, it doesn't matter what your state of belief or un-belief is.  You listen to them speaking and you "get religion," in a way, because they are so sensible yet passionate in their efforts for the human (humane) rights of all people. 

For your Journal/Discussion:  Tell about someone from your past or who inspires you today because of their knowledge/commitment/compassion.  Ten minutes.

The votes are coming in for the next song and poem to post here at the blog...have you added yours?  Why not?  The choices are posted scrolling down and way down in the column at right.  You can comment-vote here, at Facebook, Twitter, or by emailing me.  DMSolis@live.com  Thanks!

Saturday, October 17, 2009

FIVE THINGS...

My Five Favorite Flash-Memories of the Moment Are (Thinking Fast).  WHAT ARE YOURS?

1. My father's hands
2. My brother doing acrobatics on my ten-speed in the middle of the street.
3. Mum getting me a vanity for christmas which I promptly used to set up my chemistry set.
4. The halo made by Patricia's graying around her temples and forehead, before chemo.
5. The first time I met my beloved Lisa.

To journal/discuss or comment here:  What Are Your Five Favorite Flash-Memories of the Moment?  Feel free to add a link to your blog if one of them turns into a story or poem...

My Five Favorite Foods Today Are...  WHAT ARE YOURS?  Enter your five and send me a recipe, if you'd like to share...or enter with the link to your blog if you've already posted recipes there.

1. Chocolate tapioca pudding, still (hot)
2. Basic stewed beans with a little onion and garlic...in a clear broth...simmered gently, stirring every fifteen minutes, adding room temp water slowly with each stirring, sea salt only at the end. 
3. Tapas...lamb chops 
4. Egg foo yung, extra fluffy, lots of texture, not too salty, almost a frittata
5. Veggie Marsala, extra creamy
5. Macarroons (half-dipped in chocolate; the ones in the little yellow box)
5. Everything from Porto's (Cuban deli in Glendale and Los Angeles, especially the potato balls)
5. Sauerkraut and Kielbasa, thickly shredded, the sausage extra spicy...and ketchup; I put it on tamales too.  Sue me or CO2 me.  I don't care.
5. Whippy mashed potatoes with carrots, celery, garlic, and onions cooked and blended right in with some of the juices.   

What Are Your FIVE Favorite Foods Today? (Yes, again I added a few. You know you can too.) 

An extra food question of the day:  Does anyone know anything about Telleme (unsure on spelling) ...Italian cheese cured in a basket?  I checked at my Italian deli and they only have it during the holidays.  I'm told Gelson's in Pasadena has it year round.  Recipes?  The flavor and texture...milder than mozzarella?

The Five Things I'm Procrastinating About Now Are... What Are You Procrastinating About Now?

1. Getting ready to go to the dentist for an early Saturday morning appointment (BLAH!)
2. Putting away my summer clothes (and getting rid of some)
3. Filing; and refining story/poetry tracking system
4. Setting up another grooming for Lucy who's starting to resemble her alter ego, the junkyard dog in a windstorm, again.
5. Shopping

Friday, October 16, 2009

More for the Journey

"A bit of advice given to a young Native American on the day of his initiation: "As you go the way of life, you will see a great chasm. Jump. It is not as wide as you think." ~ Joseph Campbell

For Your Journal or to Discuss:

A chasm you faced before was.... Tell what happened. 5 minutes. One chasm you are facing now is... What, in your heart of hearts, do you want to do? 5 minutes. Read what you wrote. What are you saying...to you?

In each of the important areas of your life, your Family and your Family of Friends, your Faith or Beliefs, your Work (vocation), your Art (or Avocation),  others areas of importance to you...what's one thing you could do that would dramatically enhance the way you're unfolding there? 

Contemplating the day to day details...as well as the biggies of your overall themes and goals, what's happening now?  Where are your time and energies being spent?  How is it working these days?

Peace, and anarchy, and all good things for you.

Sunday, October 11, 2009

What Did You Dream Last Night? (a continuing post, for your journal or to discuss)

On weekend mornings over coffee and donuts or whatever pastry happened to be in the house, we sat around the table and told about what we'd dreamed the week or night before. 

Dad had a mischievous streak that runs pretty wide in me (more about that later).  One of his pranks from time to time -- when my brothers were still boys and wanted to be woken early for a weekend project -- was this little impishness:  He would place something fragrant just under the nostrils of the sleeping boy, a fresh sliced strawberry one morning, banana another.  As they started to waken, he would take away the item.  Then when we were at table, telling what we had dreamed, invariably the prank-ee would share his astonishment about something like running through fields and fields of strawberries.... 

Last night I dreamed my father, who passed away this past April, was still here.  He woke from a deep sleep, opened his eyes, and looked straight at me.  Mum and my brothers were at his sides, their faces downcast, a portrait of waiting and love.  I had been waiting too, watching Dad for signs of discomfort, listening for a moan or a sigh, remembering, praying, all but resting in my usual chair at the foot of his bed. 

Without stirring or any warning, Dad opened his eyes, tilted his head forward to look at me and smiled, "Oh, hi Pinino," (Dad's pet name for me from the time I was a toddler -- it means the cute, surprisingly unselfconscious things that children and baby critters do).  His smile was the same one I'd seen all my life, full of love and affection.  I was astounded in the dream, because of the various drugs we'd been giving him in hospice to ensure he would sleep, that his passing would be without pain or anxiety.  Dad was alert and clear, as if he'd just woken from a most refreshing nap to tell me this:  "It's so amazing, after all you've been through, that you're so beautiful, that your life is so beautiful." 

Well, beauty is in the eye...and Dad was always partial to his kids.  But it is amazing.  I can't help but take the meanings in his words with me to contemplate and absorb as time and my life go on.  And I take with me the memory of my father's affection, in his voice and delighted surprise.  I saw it so often since my childhood.  How grateful I am for my father's life and for mine, even after all he had, after all we have both been through.  And I take something else with me that's just hitting me now as I write this:  how good and sweet it was to hear my father say my name again, to hear my name again in his voice, these months since he's been...gone?

Now (for your journal or discussion, or to share as some of you already have, as a "Tweet," or comment at the blog) pull up a chair at the kitchen table, won't you?  There's plenty of coffee and a fresh pastries.  Tell me, what did you dream last night?

Saturday, October 3, 2009

The Song You Chose

Readers of the blog have voted here, at my Twitter feed, or via email...and this is the song they wanted me to post.  This song was inspired by my beloved and by a PBS interview with Scorcese where he spoke about "the magic hour of sunset," something cinematographers covet for its long shadows and golden light. Annie Leibovitz also speaks, in her documentary on the tour of the autobiographical show, "A Life in Pictures," about the same magic hour in the evening and at dawn. I was lucky enough to see the show in San Francisco last year.  My song features the light at sunset and at dawn.

CLOSER THAN CLOSE

by

D.M. Solis

In the magic hour of sunset
just after the day is gone,
there's light in moments of quiet
then the night just rolls on and on.
Deep blue shadows fill a room then
as I pull you closer to me...
Your passion says what's unspoken
when the twilight
caresses your body.

CHORUS:
And I hold you closer than close can be,
I think I can feel your soul within me.
Then all I believe is all that I see
in the night where you give all your love to me
in the night where we're closer than close can be.

In the sacred moments of morning
I watch as the sun arrives.
You stir and I feel you breathing,
I thank God for the love in our lives.
Sunlight filters through the shadows
and kisses you every place...
My heart so tenderly follows
as my lips trace a path
to your beautiful face.

CHORUS:
And I hold you closer than close can be,
I think I can feel your soul within me.
Then all I believe is all that I see
in the light where you give all your love to me
in the light where we're closer than close can be.

(Copyright 2000, DMS. FYI: My poem, "With The Sufi, the Psalmist and the Photographer," about the tour of "A Life" and Annie Leibovitz' relationship with writer, Susan Sontag (deceased), is part of the first historical archive of American Lesbian Writings, being compiled by poet and scholar Julie Enzer.)

VOTE FOR THE NEXT SONG AND POEM...

Thursday, October 1, 2009

The Poem You Chose from TWO WOMEN

OCEAN PILGRIM, by D.M. Solis

They settled on a course, it wasn’t all she hoped
but at least she wasn’t alone, or was she?
One night in a storm the one she loved
capsized their lives and swam away.
She was stunned, almost drowning
desperately adrift in a heartless sea
where the ocean and its mysteries
were strange ruthless teachers.

She’d swallowed a lot of brine in her lifetime
and was at last coughed up
entangled in the churnings of kelp, frayed ropes
and torn sails on the shore at my feet.
Beautiful creature.
I believed the sea had delivered her to me
in all her flawlessness and all her sorrow
right there as she was on that spot
surrounded by her fragments --
shattered pieces mother-of-pearl
and exploded seaglass glinting up at me
like incandescent stars she rescued
from the ocean floor
with broken seashells from her travels
relics from the cruelest storms.

I took her home, tried to nurse her wounds
and make or will her strong again
as if that strength could come from me
thinking all she needed was a little rest
some compassion, a gentle heart.
As much as I could
I loved her, and to my surprise
as much as she was able she loved me back
warming and soothing me deeply.

But before long she needed to return
to go back out to the ocean
setting her own course alone.
And the love itself? If this was the Love
we’d both been longing for,
wouldn't it be a better union
if she returned when she was better for it?
Wouldn't it be there when it would, if it could
if it should be?

Me, I had to let her go, to learn and feel
all she needed.
And it had to be all right, you know.
Suddenly, impossibly, my life was even
more distraught than it had been before her.
But I had to stay calm and I had to hold on –
besides, I had mysteries of my own
many nets to untangle, so much work to do.
I had no choice but to let her leave
and see how the tide would go.

These days, sometimes I watch the shoreline
contemplating at my window
or sit up on the roof when my day’s work is done
gazing way out as the sun falls into the ocean.
I pray for Strength for both of us, I pray for Hope
I pray about Love, and I let it flow.

Thursday, September 24, 2009

An Excerpt from MY PASSION FOR ANIMALS. This piece is from a short story about my grandfather, who was given away like a puppy when he was a child. His father, my great-grandfather, was a very wealthy, very cruel man.

The big man rode his stallion home later that night, actually a little before dawn. He landed shoulder first in a ditch by the side of the road, swore at the animal and the moon, somehow remounted the less than cooperative stallion, and eventually made his way home. The horse’s hooves pounded by a sea of stockyards where his prize beef herds were kept. The bulls and the steers slept curled-up on the ground, like giant stones. But in a yard nearby some of the cows had been lowing loudly. Today many of the calves were weaned. The heartsick cows called, each to her own calf. And the frightened weanlings sounded plaintive and helpless, beckoning from a mile around the bend, each to its own mother’s voice in the twilight.

Aguado rode by his corrals and paddocks, by several large barns where his numerous thoroughbred Andalusians were kept. The horses perked their ears forward then far back, tamping the ground when they heard him.  It was near daylight when he hammered the ranch hand’s shack and deposited his animal, then went to the house. There, his wife lay awake but motionless in bed. Would he be a mean drunk tonight?

At last he staggered upstairs in the dim blue light of dawn. He stared at his wife from their bedroom doorway while swaying from side to side. Then Aguado lumbered forward and fell, face down, into bed. He slept. He snored and did not dream.  Docille sighed and patted the thick wavy hair on his head while her heart and her breathing calmed.

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Sunday, September 20, 2009

Coming Soon: Excerpts from MY PASSION FOR ANIMALS,

the cautionary tale of my brief and extended encounters with the four-legged and two-legged varieties.   A literary memoir told in short stories, essays, and fables.

Saturday, September 19, 2009

Wisdom from the Experts -- Here's How They Write...WHAT DO YOU THINK?

From REFLECTIONS ON THE ART OF LIVING, A Joseph Campbell Companion, Selected and Edited by Diane K. Osbon

The privilege of a lifetime is being who you are...

...Participate joyfully in the sorrows of the world.  We cannot cure the world of sorrows, but we can choose to live in joy...

...When we talk about settling the world's problems, we're barking up the wrong tree.  The world is perfect.  It's a mess.  It has always been a mess.  We are not going to change it.  Our job is to straighten out our own lives...

...We must be willing to give up the life we've planned so as to have the life that is waiting for us...

...If you are lifeworthy, you can take it...

...Awe is what moves us forward.  As you proceed through life, following your own path, birds will shit on you.  Don't bother to brush it off.  Getting a comedic view of your situation gives you spiritual distance.  Having a sense of humor saves you...

...Your real duty is to go away from the community to find your bliss.  The society is the enemy when it imposes its structures on the individual...

...The heroic life is the individual adventure...

...It is by going down into the abyss that we recover the treasures of life.  Where you stumble, there lies your treasure...

...The purpose of the journey is compassion...

...A wise man said, "Do not seek illumination unless you seek it as a man whose hair is on fire seeks a pond."  If you want the whole thing, the god's will give it to you.  But you must be ready for it...

...A bit of advice given to a young Native American on the day of his initiation:  "As you go the way of life, you will see a great chasm.  Jump.  It is not as wide as you think."

Well, what do you think about that?  (Get the book.)

More to come.  The next book excerpted will be HOOKED, Write Fiction that grabs readers at page one and never lets them go, by Les Edgerton.  After that, OLD FRIEND FROM FAR AWAY, The Practice of Writing Memoir by Natalie Goldberg.  (Get them too.)

Friday, September 18, 2009

The Next Song and Poem -- More of the Story

Here are pieces of the runoff songs and poems for this month.  Happy voting...song titles are in purple, poem titles in blue.

These songs and poems, are part of one story unfolding.  My grandfather used to say, "In every mind, there is a world."  Your creativity is part of the larger story.  All our worlds...part of one rich, mind-blowing universe unfolding.


From OCEAN PILGRIM, published in the LN Magazine

...and I believed the sea had delivered her to me
in all her flawlessness and all her sorrow
right there as she was on that spot
surrounded by her fragments --
shattered pieces mother-of-pearl
and exploded seaglass glinting up at me
like incandescent stars she rescued
from the ocean floor
with broken seashells from her travels
relics from the cruelest storms.


From the song, CLOSER THAN CLOSE

In the sacred moments of morning
I watch as the sun arrives.
You stir and I feel you breathing –
I thank God for the love in our lives.
Sunlight filters through the shadows
and kisses you every place.
My heart so tenderly follows
as my lips trace a path
to your beautiful face.
(Copyright 2000, DMS.)


From MY KNEE, published in the "Don't Be My Valentine," issue of OCHO -- a response to the Prop 8 Initiative in California. This poem is about longing and loss.

I think a flea
has bit my knee
from my dog in the carpet.
I never see
any on her
but this one roams free
to graze on me
whenever it feels like it.


From the Song, ALL OVER SAVANNAH, a story-song about a faker and a player whose karma at last catches up with her.

J.D. had no fancy pedigree
to match her big five-dollar words.
But all the debutantes in town agree
they got the vapors when she whispered.
(Copyright 2000, DMS)


From WORKING HARD, WORKING SOFTLY published in this year's Women of Achievement Awards Book of the YWCA.

If finesse is saying truthful things
with tenderness and care,
and sophistication is a worldly interest
that teaches one to balance strength
with compassion and grace,
then daily the work of a real woman
embodies finesse and sophistication
in powerful ways and in sensitive ones....


From the Song, TENDER WAS THE DAY

Was there a holiday in heaven
the day you were born?
When heaven overflowed, I bet
your heart and soul were formed....
(Copyright 2000, DMS -- some comments for this song are in the post below)


We have an ongoing post at the blog where readers enter a comment, tweet, or email me to "vote" for the next song from my collection, and/or poem from TWO WOMEN they'd like me to post in its entirety. Vote here for one song and one poem from above, or choose from those listed on the right (scrolling up for more poem titles, then way down for the songs).

Friday, September 11, 2009

Comments on a Snippet Posted Earlier

From the Song, TENDER WAS THE DAY

Was there a holiday in heaven
the day you were born?
When heaven overflowed, I bet
your heart and soul were formed....
(Copyright 2000, DMS)

Thursday, September 10, 2009

How Do We Find Our Life's Passions?

I stumbled upon the question recently.  It could be that our passions find us.  As readers of the blog know, I lost my life-partner four years ago.  I'd been a writer almost all my life, and a contemplative perhaps from my first childhood memories.  But through the experience of Patricia's illness and passing, while I'd always felt deeply about so many things, including creativity, and always loved so deeply and passionately, companioning her on that journey showed me what real devotion was/is, what I really meant when I told Pat I loved her...and what it is to be passionately devoted about anything, be it creativity, love, God (whatever we may wish to call that omnicient all-knowingness that seems to surround and imbue us), life, anything.

I can't say I've ever gone out looking for "my passion in life," or for a way to prove my devotion or sincerity about the ones I've loved or the things that drive me.  I've never sought to find deeper passions for spirituality, writing, art, music, nature, or love.  Yet these were revealed to me through that beautiful tragedy and its aftermath, in profound grief and renewed spirituality, as they had been throughout the course of my life, including most recently and joyfully in new love.

Back to the question:  It seems our true passion for anything is revealed to us continuously.  Perhaps the key is to live with intentionality and awareness within the tension of knowing and not knowing where passion, or Sacredness, or beauty may be unfolding...so that our eyes, mind, and heart will be open when Passion embraces us.

What do you think?  How have you found your passion...that something which drives you...the thing you were born or created to do...the one thing or multiplicity of things which not doing or attending to would render you...less than...you?

Saturday, August 29, 2009

Another Poem from TOTEM, Caltech's Literature and Art Journal

PETUNIAS
18 March 2003

Last night the ultimatum
war all but declared.
We hold our beloveds
and wait.
Petunias in our courtyards
seem disproportionately fragile
and lovely
to this day.

Wind whooshes hard and cold
parting my hair
so my scalp stings.
I pull aching shoulders
up around my neck
while petunias hunker down
in the stark sunlight
of an azure sky
that seems too bright to be ironic.
All around me these brilliant flowers
are pushed down, almost flattened
against the brittle ground
by the burning cold.

There will be fires
and monarchs boasting
dead sons and daughters
all of them ours
where even the brightest blossoms
will be drenched
in humanity’s shame.

Saturday, August 22, 2009

From TOTEM, Literature and Art at Caltech

ORANGE BACKPACK, GREEN UMBRELLA

by

D.M. Solis

How like the clouds he moves
each turn floating
into the next...

who randomly appears
wearing an orange backpack
like an afterthought…

riding a bicycle through
my courtyard
in a soft clay-scented rain…

holding open and aloft
a big green umbrella
as if it could be a sail…

grinning up at himself
from his reflection
in mirror-pools on the ground…

gliding wide…easy…circles
almost without a sound
but for a dull rhythmic whirrrrrrr

when a tire rubs the frame.

I was just sitting there, minding my own business, reading the paper, having a cup of coffee.  And out of the nameless nothingness and nowhere, "art" meandered by.  Creative "Art Spirits" are the same as anyone else...we just happen to pay attention...and sometimes we write it down.  We can't help ourselves.  Besides, it's not "nothingness," it's not "nowhere."


B.T.W., Anytime is a good time to vote for the next song and poem to post to the blog.  Choices are listed above and below, in the column to the right.  You can vote as a comment here, email me, or via my Twitterfeed.  Thanks!

Tuesday, August 18, 2009

Nothing Says "Welcome" Quite Like a Palindrome

Welcome to my blog where we're exploring many things, including Creativity as a Way of Life. Whatever your interests, disciplines or genres, whether you are student or teacher...artist or scientist...in a relationship or recently on your own...whether deeply spiritual or not so much...a left- or right-brain thinker, or both...this is a place where you can explore the creative quality of your own life in a variety of ways.

Today we're just going to relax a little and try some serious-play.

As you can see from the title, this entry is about the palindrome. A palindrome is a mirror-word. Here are some familiar words that happen to be palindromes: wow, mom, tot, kayak, and racecar. I'm sure you can think of others. They say the same thing if you read them either way.

Equations and other sequences can also be palindromes. Words can mirror other words: tap and pat, for example, star and rats, gateman and nametag. Some names are palindromes, Robert Trebor is a famous one. Mike Kim is another.

Sentences can be palindromic when they can be read either way. Here are some examples:

No lemon, no melon.
No, sir, away! A papaya war is on!
Now I see bees. I won!

In music there have been a number of popular palindromic melodies over the centuries. And molecular biologists can tell you all about DNA sequences that are palindromes.

I think that's more than enough to get you started. Why don't you try a few? See how long your palindromic sentences may grow. Share them here or in your world with others. Be CREATIVE and have a good time!

Oh, I almost forgot. Thank you for visiting. Don't forget to feed my little coy in their tiny pond before you leave. Scroll down a bit, past the creative journal/discussion questions and prompts on the right. You'll find them happy to see you and very hungry.

Sunday, August 16, 2009

FIVE THINGS...

My Five Favorite Flash-Memories of the Moment Are (Thinking Fast):

1. Kayaking with Sharon and Nixie
2. Picnics with my family in tall meadows of wild flowers and grasses
3. The stubble on Dad's chin
4. Holding my niece the first time
5. Beloved Lisa's smile on a light-rainy night in D.C.

Quick, What Are Your Five Favorite Flash-Memories of the Moment?

My Five Favorite Foods Today Are:

1. Chocolate tapioca pudding (hot)
2. Chile verde with corn fresh off the cob and handmade flour tortillas
3. Anything tapas (authentic ones)
4. Anything dim sum (steamed)
5. Somosas (medium hot...realizing "medium" is a relative term...and approaching with abandon)
5. Cocoabellas (the ones they sell on Market Street, with just enough chili in the the very best chocolate)
5. Everything from Mercedes Grill (Venice Beach, especially the sea bass and the baramundi)
5. Hot apple cider with homemade apple fritters in the fall, just as the sun crests the mountains
5. Mashed potatoes with plenty of butter, half-and-half, pepper, and MORE BUTTER!

What Are Your FIVE Favorite Foods Today? (Okay, so I added a few. You know you can too.)

The Five Things I'm Procrastinating About Now Are:

1. Cleaning out my closet
2. Sweeping off the deck
3. Revising my story, "The Avis Kid"
4. Giving Lucy a bath (Lucy is an 11 year old JRT-mix, with an enlarged heart, who thinks she's still a pup).
5. Ironing

What Are You Procrastinating About Now?

Saturday, August 15, 2009

From the "Poetry Workshop Files" by D.M. Solis

Below is a writeup I did recently on a poem submitted for review.

Dear Poet:

This poem is full of possibility. I enjoy a poem like this, where every single line could be a poem by itself. In fact, I’m going to recommend this exercise: Take the poem, or any poem, line by line, and see if you can apply one or two of your senses other than sight to each. Describe the silence filling the house…what is that like? What does silence smell like? How does silence sound if we stop and listen…really listen…hearing deeper than thought? How is the silence of this house, presumably your house, or I guess it could be a vacation house, different from the silence, say, in a schoolyard after recess, or a small boat in a marsh, or in an old graveyard beside a new parking lot? Then take the next line. What’s that feel like? What made the day so long? Remember to use your senses. How is the night longer? Tell me (your dear reader) about that? Continue through the poem.

You’ll have when you finish, the beginnings of 24 new poems to work through. Hooray! Or there may be fewer more robust poems if you cluster similar thoughts. Double hooray! So that’s a huge bonus. Setting all that aside for the time being, go back to your original poem. Now you have fleshed out a richer sense for your reader of what you perceive and feel. It’s very likely you will say each line differently, more colorfully or precisely, poignantly or clearly, even purely. So there’s another giant plus.

Let’s get back to the clusters. You can do this now, even before the exercise on the senses. Notice how your thoughts cluster around, say, three or four emotions or experiences you’re communicating. “Being dumped on. Being betrayed. Worrying what others think. The silence itself. And being alone. Peace.” What’s the main idea? Which emotions or experiences contribute to the overall main idea? Which are too important, tantalizing, “hooking,” or distracting and might be left for another poem on another day? Do the ideas cluster in terms of tense? This gets into the structure of the poem. Do you have a beginning, middle, and end? Do you need one? Not necessarily, but if you have one, you might use that as a skeleton on which to build the layers of your poem, telling the story, bringing the readers to a place at the end where you can trust them to come to their conclusions.

So all of this is about getting you more solidly in touch, not with what you’re saying (you’ve lived it, you know it, and I’ll say more about this momentarily), but with what it is your reader is going to take away from the poem. You want to write in ways that are authentic for you, for your experience and your manner of speaking. Yet, you want to say things in ways the readers will find substantial connection with, whether they’ve lived these experiences and reactions or not. All this is also about organizing your thoughts in a way the reader will follow, in real time, as if there with you in the silence of the house as you struggle through the memories, thoughts, and emotions, seeking peace. Seeking peace? You’re journeying, that’s certain…and the readers are journeying briefly with you. Where are you going? Where are you taking them? You can have all this power and authority…the “dream weaver” you’re waiting for…may actually be you.

Now, go back to those other 24 or so other poems. Isn’t it wonderful as a writer to have so much to do? You’ve just opened another jumbo box of crayons, my friend. Enjoy every dramatic and subtle hue!

If you found this helpful or think others might, feel free to pass it on --or comment below. Thank you!

Saturday, August 8, 2009

The Poem You Chose from TWO WOMEN

Readers here and direct-messaging at my Twitter feed have surprised me. This poem wasn't even in the running.  Then you chose "If." I've updated it, changing the title.

This is a spiritual poem about not settling...expecting the best in a relationship and in life...(I'm not talking about "things")...because you deserve it...holding out for

WEALTH BEYOND DREAMING

by

D.M. Solis

Weathered almost beaten
I looked at her and said,
If you come with me out now
past the old treasure troves
if you walk beside me
way out on this thirsty pier
past the parties on the docks
music and laughter
mirthful hungry hearts
in their raiment of...
I’m not saying you won’t return
often, perhaps.
Still, if you come with me out now
beyond all that
water lapping pylons
waves kissing the shore
your breathing my sighs
pulling close
(closer than close)
where I'll give you what’s left
what I can
of my heart...

If you come with me out now
will you stay
past the end of the pier?
After all it was
the only wise thing
naïve as my hopes may have been.
She never would have
come out that far
and never could have stayed --
not after all the others
who abandoned and betrayed her
leaving behind their trinkets,
returning from time to time
but leaving her just the same.
Their indiscretions? Hers? Sure.
Keeping their hunger hopeful,
“You failed me first,” they always told her
one way and another --
the only constant in her life
that old affair she's still having
with herself.
As for me, my devotion, who knows?
I wasn’t like them, but who knows?
My gifts buried
in the dankness of the troves
I returned hers -- finally getting
how much she needed things
to keep her grounded
if only in sand and froth.

Out in the open
air free and pure
rapturous diamonds above the waves
where the love of my life, yes, I found her
brings new depths to the ocean
filling me
wealth beyond my dreams
filling me
wealth beyond dreaming
filling me
wealth beyond...

A little back-story:  My beloved life-partner died in 2005. We had not been out until her illness and passing. Suddenly I was alone and out in a strange sometimes scary world. This poem from TWO WOMEN is about the graces, some of them in dark disguises, I encountered on my journey through the aftermath of the loss, where I eventually found the love of my life. A version of this poem was first published in the LN Magazine, an international print magazine based in Los Angeles, celebrating its 35th year.

Wednesday, August 5, 2009

WHAT DID YOU DREAM LAST NIGHT?

I recently dreamed my father and I were at a huge stadium. An unlikely place to find two introverts hanging out. Dad was a larger than life character, straight back, wide-as-the-sky shoulders, and stronger than strong. In his elder days we likened him to the John Wayne immortalized on the statue, sitting godlike on a mythic horse, outside the Great Western building at Wilshire and La Cienega -- one of my favorite buildings, by the way.

So, my father was filling up a stadium chair in his John Wayne body. His long legs were getting antsy. So was I. At last he shrugged and stood up. That was all the lead I needed. When he started with long strides towards the gate, I happily followed. Though, in real life, Dad always upheld the "ladies first rule."

In the dream I'm doing my best to keep up, three steps to his every one. At last Dad stopped at the gate. Gateways, I learned recently, are important symbols in Runes. He stopped at the gate, turned towards me and said, "Give everyone my love." Then I woke up. My father passed away this past April. So here I am, holding his memory tenderly, embraced in great comfort and reassurance, sending you all a Father's love.

Come, join me at the kitchen table. Tell me, what did you dream last night? Write it into your journal or as a comment below. It's a good habit to keep a tablet at your bedside, to write down your dreams before thoughts of the day intrude, to see and hear what your dreams may be showing and telling you before they fade away. Peace, and pleasant dreams....

D.M.S.

Tuesday, July 28, 2009

Another Song You Wanted to See

Here's the song you chose. Thank you for your input. I hope you like it. This time I added a few journaling/discussion questions at the end, in case you want to spend some time contemplating the song, the questions it provokes, or the beautiful image in the mirror. Peace.

THE ANSWER
(a social justice song)

Words and Music by D.M. Solis

Life is rough everywhere we go,
taking its toll on our innocence.
We're so desperately searching for heroes
to show us a way that makes much better sense...

To care or not to care?
The answer lives so deep in your heart.
The question is everywhere...
The answer lives so deep in your heart.

Candles melt from the inside out
showing us where we must all begin.
Every soul learns what Love's all about
when we reach past the fear we may feel deep within.

To care or not to care?
The answer lives so deep in your heart.
The question is everywhere...
The answer lives so deep in your heart.

See a mirror when you look up at the sky,
one tender mirror if you ask the question, "Why?"

Everywhere there are people in pain.
Look in their eyes, see what's in their hearts.
Can you reach out in love, hope and faith?
Be one more who will step up and do your part.

To care or not to care?
The answer lives so deep in your heart.
The question is everywhere...
The answer lives so deep in your heart.

See a mirror when you look up at the sky,
one tender mirror if you ask the question, "Why?"

Copyright 2000, D.M. Solis

QUESTIONS FOR YOUR JOURNAL/DISCUSSION (feel free to answer any of these questions as comments below) :

What do you think it means, "Candles melt from the inside out, showing us where we must all begin." Why use the image of a candle? Why not an ice cube which melts from the outside in?

What does it mean to "reach past the fear we may feel deep within"? What are some ways of reaching past the fear? Give examples of things one can do. What do you think will happen if people don't get past it? To their neighborhoods or the world? To them?

Why the mirror? When we're looking for answers to "the question," how can we find them in the mirror? State the obvious...then dig deeper. What are some specific things you can do, starting today?

And, when we're desperately searching for heroes, what would happen if we look to the mirror then? What's heroic about you, about your story? Again, be as specific as you can. Then, starting with the basics, what are some things you can do? Think about children who are always watching...you.

I hope this was helpful or meaningful to you. If so, please pass it on. If you want to join the email list to receive my newsletter with updates about the book, and free downloads on creativity, journaling, and writing from YOUR life, send a comment with your email to let me know. I won't publish your email or give it to any third party -- or just send me an email. Thank you.

D.M.S.

Monday, July 20, 2009

Through the Darkness of Night, Every Beautiful Day

"Your hair's gone white," her doctor told me. I hadn't seen him in how long? Not quite a year, not since Patricia died. He wore the customary white coat, ID badge, and stethoscope. I knew he belonged there, but couldn't quite place him.

"Hunh?" I semi-grunted, smiling the 'Do I know you?' smile. Stalling, I asked, "You remember me?" Finally it came. He had been her pain management physician. I can't say I was happy to see him. Truth be told, I had to swallow a sudden violent urge to gag. Nevertheless, it was a familiar face and not entirely unwelcome. Why else was I there, not even a year after she'd died?

"I remember your hair," he said. "It was beautiful. Salt-and-pepper. It's gone white." I must have looked puzzled, or I'd furrowed my brow. "It's still beautiful," he was quick to add. What else could he say? I thanked him. "What are you doing here?" he asked, with a tinge of urgency, a sudden tightness."

Just volunteering," I was quick to reply, not wanting him or the gods to get any other ideas. City of Hope being a renowned cancer hospital, after all."Good," he said, smiling cheerfully, then consolingly, with his voice dropping, "I'm sorry about your friend."

"Patricia," I said her name. It felt both comforting and wounding to say it there and then.

He added her last name, remembering that too, smiling a soft smile again, taking my hand which hung blandly at my side when he reached out to help me shake his. As he walked away, I'd have cried. But the little cupcake they’d stuck me to volunteer with was popping her gum, echoing in the lobby and in my ears. So I chuckled instead, taking my place with her, behind the reception desk. At a very young age, before I was ten, I developed this strange inappropriate response when something is frightening or sad, or sadly rediculous, or when I know there's nothing else I can do.

At horror flicks I'm the nut who laughs when others scream. And at Patricia's memorial, everyone said I was stunning and wonderful and on and on. It's not uncommon, I'm told, when we're in shock to behave in ways that may seem oddly cool and collected, joyful, cold or otherwise inappropriate. "What's funny," asked Cupcake that day, missing or dismissing all that about seeing one of Pat's doctors again for the first time. I was still trying to quell the gag-reflex from the remembered visceral horror of Patricia's suffering. Cupcake wanted to know the joke and why I was chuckling. "Nothing," I said.

It had been over six months since Patricia and I had been there, at City of Hope Medical Center in Duarte, California, where amazing things are done, where miracles of modern medicine are happening every day, where many, many people survive to live out their lives cancer free. It was not a year since my Pat had died there. I returned to volunteer because it was familiar, because I missed seeing her, even in such a place, because it was the last landscape where we had been together. I went back a few months after the end for bereavement support-group meetings. Then I returned to volunteer. I could walk the halls that smelled of shit and urine, or bleach and concentrated air fresheners. I could go outside by the fountain to feel the water and the breeze, hike to the cafeteria, or stop at the coffee cart. There I used to tip the girl five bucks for a really awful cappuccino, just because she had to be there everyday, where people suffered and prayed to be anywhere else in the world, where people were angry, or hurting, and always so afraid.

Rare ones were blissfully happy, as we had been happy there too, a few times. Take the afternoon I arrived after work to find my beloved distraught. Her lung specialist told her before I arrived, with no one there to support her, that we should look for a good hospice -- the wretched heartbreak and tragedy of all that -- and the next day when her oncologist told us the other doctor had been mistaken. That was a rare blissful time.

I could walk the beautiful grounds where I'd ushered my Pat for MRIs and CT scans, tiny in her wheelchair, with her bald little head under a red baseball cap or dapper felt fedora. I could even go by the ICU room where we spent the last three days of her life.Oddly, that part of the facility had been shut down. Pat was one of the last patients before it closed. Patricia's passion and mine had been some of the last to fill and gut that particular room. A whole new building was opened and filled with patients in the space since I'd been, since we'd both been gone. So I was volunteering, mercifully, in another building entirely.

But even in the new state-of-the-art facility, with luxury rooms by comparison, even there, every cancer patient I visited and comforted (to get away from the gum-popper down in the lobby), the reborn gang-banger who preached to me about being saved and told me how wonderful his mother was; the retired school principal who hated the food and her nurse but ate it all so she'd be fit for chemo, and didn't want her nurse or me to go away; the shrunken construction worker who must have been Hercules once and regretted the years he had smoked and the booze; all of the patients and the people who loved them were the same. The fear in their eyes was the same as Pat's had been, even when they smiled. It was fear and hope, the hope against hope, the bargaining, and denial, even in faith...it was all about hope, even if they despaired at times through their treatments on every floor and in every room at the City of Hope. Oh how we all HOPED.

Now, I could go and stand outside what had been her window with my forearm resting against the cool glass, and my forehead against my forearm, and not have to hope so hard, not have to hope at all. I could just look at the empty space where she had suffered, where we'd spent some of the most precious hours -- though she'd been unconscious those last three days, and though the conscious days at the beginning of the end, had not been lovely at all, when every breath was impinging and hurting, hurting me also. Now, that building where she died and its rooms were all empty, empty and as ravaged as I still felt inside.

Strangely, the poster board remained standing against the inside of the window where I stood outside, leaning on the pane. It was from a collection of her photography, and pictures of her I'd assembled. You know, to help the staff, the tired nurses and young doctors see her as more than this poor, sick, vanquished old woman (she was only sixty five). It was to help visitors too, remember her in stronger days, teaching days, camping days, Cajun dancing, and dancing with the tide days strolling along the shore. It just seemed so strange to me, the poster board with the pictures pulled off, torn on the surface in places, was still there in her last room, in the old Intensive Care Wing, all but touching my knee through the glass. I'd taken the pictures home without her. How had the poster board remained all this time, standing upright in the room where she died, where I found it and remembered?

That day, I left her body behind, and she left mine. I took her clothes and my ravaged heart home with me. Not a year later, at City of Hope, everything else, the hospital bed, the phone, even the lighting, was all gone. Only wires were hanging from the ceiling and gouged out of a hole in the wall. And the chair, that chair where I sat with her, the chair where I dozed and held her hand and was more afraid and stronger than I've ever been, than I may ever be again, my chair sat by itself in the center of an empty hospital room, while the poster board touched me through the window. I visited them, the empty room, the chair, the poster board, three or four times. They brought it all back, indelibly.

A little over six months was of course, for me (for anyone?), too soon. I tried volunteering for about a month and a half. I tried very hard. When I just couldn't do it anymore, I wrote it off as my un-giving, self-centered unwillingness to put up with the gum-popper and her chums at the end of a long workday, even for the sake of those who were suffering then. Besides that, I was unhappy about leaving our dog, Pat's pup, home alone in the evenings after I'd been gone at work each day, and alone after all we'd all three been through. Lucy had a very big and knowing heart. These months, she still suffered, fawning over me every time I cried. Anyway, in those days, for me at least, it wasn't about Hope anymore at City of Hope or anywhere. I had left the love of my life there. What more could I be expected to give?

Sometimes, as harsh and abrupt as this will sound, sometimes it was about Hate. There was no consoling me after all Patricia suffered, no softening the shock, the unexpected shock of Pat's dying when she seemed, in spite of every terrible setback, to be getting well. After she was gone, when I went anywhere beyond the quiet of our home, I missed the lingering sensations of Patricia in our rooms; the remembered sounds of her opening a drawer, splashing at her bathroom sink, the tines of her fork on a plate, the sound of her restful breathing beside me through the night. When I wasn't home I missed the comfort of our space and our things, Pat's things all around me. But when I was at home, I sometimes missed the intensity and hope of our time at the hospital, and the preciousness of those months, days, and hours, when we lived in hope that she would survive, that we would be safe and happy again.

Suddenly, every day, there were new moments in the churnings when I hated life without my beloved. Sometimes I hated being me, wherever I was. Visiting my parents, I hated how I was sad inside and couldn't always fake it, knowing they had fears of their own with my father's illness and death impending. His was a longer time of suffering and preparation, his illness having been diagnosed long before hers. Now, four years later, he recently died, a few months before this posting. He was ready and so was I. We had said all we needed to say, planning and then living out our quiet goodbye.

Roshi Joan Halifax, renowned speaker and writer on topics of death and grief, opines on "the myth of the good death" and the hype of "death with dignity" in an interview in the May issue of Shambala Sun. I'm not a scholar or practioner like Roshi. I certainly haven't sat in compassion with as many of the dying or their families as she has. I can affirm what she says from my own experience. I can write about what I know. Sometimes I can even tell about hate from the dark times.

When I was with some of the members of Patricia's old religious community I hated how they so clearly "tolerated" me and my grief, and how some of them used me and my sorrow, taking things of Pat's I gave them, then demanding more of me, and in more ways than I really believed I could give, taking those sacred days and moments from me while I was, or should have been grieving, making my gayness, and Patricia's, part of their political-ritual "happenings," directing me to give more of my time, my talents, and my treasure than I believed I possessed, confident they deserved them. "I need art. I want it," one of them even said, more than once, all but harping. So I gave it. And even before the end of that relationship, when she was still telling me, "You're my sweetie," she also told me she had earned it.

In the midst of all that, because all of that was ongoing, when I got home after volunteering that night, not a year after Patricia's death, I looked in the mirror for a long time, at my face, my hair, and deep in my eyes. It was soothing in a self-indulgent way, to recognize the sadness. And, it was true. Patricia's doctor was right. I'd had, for so many years, a fairly even sprinkling of salt-and-pepper, since my twenties. I wore my hair much shorter then. And, yes, somewhere in the months since Pat left me, the "pepper" I once had, had been trimmed away. So, at 45, after Pat died, my hair had gone white. It was a bit shocking to actually see for the first time. Not startling, no. Nothing frightened me anymore. Which brought me to this, as I looked in the mirror that night:

Which is worse? Hatred so hot you wish you could spontaneously combust before you have to suck-up one more thoughtless abuse, or cruelty, or meanness from anyone who could care less about how you feel or about what is sacred and precious to you; or fear so cold you think you may be growing petrified inside, your organs are freezing and it hurts so much you hope you will die soon, right where you sit? What was happening? What was this part of the journey all about? Hadn't we been through enough? How much further did I have to fall now, without her? Was Hate or Anger becoming my new inappropriate response? How long? How much longer must I live in this particular space within the void without her? And what about God? Where was God?

More months would pass. Again I would find myself at the mirror...asking: How many times must I come and go from these depths in the darkness to find God -- yes, even in the void, that God was the void itself, longing for me, pulling me toward Sacredness...only to feel I might be losing the Sacredness of my life, after all, even as I continued to live it. Was more to be ripped away from me again...and again...and again? How was I to know what was "holy" and "unholy" in all I was experiencing? Hadn't my attempts to just surrender and let go in what I believed were "safe" even "religious" surroundings, resulted in my being used or hurt more deeply than I had been by Patricia's death alone? What about all that?

Four years later, by some miracle or many miracles of Grace, I seem to be all right -- didn't freeze or explode or burn myself up, in any event. I've learned to examine and understand, to write about all this, turning myself inelegantly inside out at times. I've learned to feel and honor every bit, so that in due time, through no special intelligence or skill of mine, I've discovered how it all gets turned around for good. I've studied and practiced in new depths of the void through many dark nights. As I've written here before, I may always carry the desert with me, and could be taken to the brink of the void again, could fall or even leap back in. I don't know. There are amazing things I've experienced and found. So much more to tell you, my friends, about this sacred journey that is continuing through it all, in every now, every precious moment, all through the darkness of night, every beautiful day.

D.M.S.

It occurs to me later...I should add: City of Hope is an amazingly compassionate place where NEW scientific breakthroughs and miracles are continuing as I write this. They treated Pat and me like royalty there. I went back recently, during my father's last days to find some grief information for my mum. It was a comfort to visit the fountain and the new chapel -- and to leave a note there in "the book" for my father.

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Saturday, July 11, 2009

Time to Roll Up Our Sleeves for Some Serious-Play...with Our Food!

Mother and Father used to tell us not to play with our food. But chefs, small children, and "epicurious others" know that food was made with so much texture, color, taste and variety, it must be enJOYed...seriously, playfully, and as often we healthfully can. The folks at Whole Foods Market have lots and lots for the most creative Art Spirit's pallet and pantry.

During my last stop there I found an artichoke-spinach hummus made by Cedar's (they spell it, "hommus," at their website) that is perfect -- great texture, not watery at all, and so fresh you'd swear you watched them blend-in the veggies before packing it yourself. Beyond all that, the seasoning is delicious. Whole Foods also stocks the softest creamiest horseradish cheddar you can imagine, if you don't already know. I'll get back to the cheese momentarily. First let me tell you how I first experienced it.

The best I ever tasted (with all the emphasis and sing-song enthusiasm of every one of Huell Howser's pronunciations of "Ehhh-ver!") was on a Thanksgiving holiday camp-out at Joshua Tree National Monument, Southern California. Our planned few-hour hike began not far from our tents and sleeping bags, at a sign marking the trail-head on a sunny November morning. Unfortunately, the journey didn't end until after dark, with four of us lumbering into, then out from the back of a compassionate local's old, shag-carpeted van. We were under-dressed for a desert nightfall in November. So we were more than mildly cold and hungry when it was all over.

One who had survived cancer was dealing with the after-effects of the disease and its treatment, and was not fit for the "extended adventure." Another had lost several pounds through a year's worth of digestive issues. Even before the sun went down she seemed nearing hypothermia and hypoglycemic shock. For most campers, it may only have been a chilly November night in the desert. But for us, it was teeth-chattering freezing and, given our fears for the health of two of the four of us, and the safety of all of us, it had become somewhat frightening as well.

I was the novice of the group. Yet, even I knew enough about the desert to understand that getting lost there is never good. There were times before we found help, as the dismal reality of the scenario settled over the group in a somber silence, when I must admit I said a soft prayer or two. Truth be told, it was probably my intrigued story-probing that distracted our leaders and got us lost in the first place. The embarrassment for some, in addition to getting LOST only a short jog from our campsite, was the undeniable fact that none of the seasoned campers and hikers in our troupe wore the right clothes or brought along a compass or decent flashlight, or enough of anything in the way of water, provisions, gear or extra clothing. We broke the first, second and third rules of the trail, and I'm guessing a few more.

Among my compatriots were the homegrown cancer survivor, a Kiwi ex-pat, and another from South Africa, all of them serious women of the wilds. These were strong adventuresome types whom I quickly came to admire. They had attained the summits of peaks even many hardcore mountain men only dream about, had literally fought off a bear to protect an attacked comrade, snorkeled in shark-laced waters, and had even been home hospice nurses in the roughest patches of the gnarliest towns where neighborhood gunshots were not uncommon sounds. One night after compassionately caring for a hospice patient in his home, one of these women stoically walked outside to find her car up on blocks and all the tires gone. Still, getting off the van that night, with our exposed knees knocking, and our cheeks blazing from sunburn and the cold air (and a good helping of humble pie), hugging ourselves in our little T-shirts and thin blouses, we must have appeared like anything but the strong outdoors women at least three of us were.

Speaking of pie. After washing up and donning heavy jackets and thick pants, a tray of that horseradish cheese I was telling about earlier was waiting for us at our campfire under the stars, with huge mugs of homemade hand-blended tomato soup from the impromptu (yeah, right) recipe of a very gifted and serious-food-player among us who had fortuitously stayed back at camp that day. She'd kept the soup hot for our late arrival in a caste-iron pot over the fire. Of course we were as starved as you might imagine, so no cheese, or soup, or croutons, or chardonnay will probably "Ehhh-ver" taste better.

Still, wonderful sandwiches are made with that horseradish cheddar. Yesterday my beloved, doing a little serious-play of her own in our kitchen, created brilliant grilled cheeses with it and the artichoke-spinach hummus for a spread, another sharper cheddar for added robustness, tomatoes (hot-house variety), whole wheat bread...and, of course, just enough butter to add a little sweetness to all that tang and fire. Melt-on-our-tongues WONDER-FULL.

Back to a tamer adventure in Whole Foods Market the other day. On the snack aisle there I found new "Food Should Taste Good" Multigrain tortilla chips that are really crackers, made with flax, sunflower ("funflower") and sesame seeds, oat fiber, brown rice, quinoa, and soy. Tasty enough to make your mouth water by themselves -- quite a feat with a corn chip/cracker in it. And the assortment of herbed goat cheeses at Whole Foods is as good or better than any carried in more pretentious stores around town. Grass fed, hormone-free, rotisserie chickens at the deli are a main draw for me. They're a great deal for the nutrition and taste without having to cook a whole chicken when the weather heats up. Not salt-injected, either. The literature promises only humanely raised and processed meats are sold in these markets. So if you're concerned about that, you may rest a bit easier enjoying the bounty available there.

The purchasing staff at this grocer is doing a great job for local value, taste, and creative serious-play in this economy! To acknowledge members of a team: the cheese girl, vitamin lady, butchers, and deli boys (all there at 3:00 pm at my store on weekdays) are sincerely helpful and informed. Next time I think I'll stop at the deli and pick up some vegi-lasagna. It's stacked five inches high, gooey-resplendent with cheeses, and vibrant with asparagus, sun-dried and fresh tomatoes, carrots, mushrooms, spinach and more. Or perhaps I'll finally try those fat potato pancakes I've been eyeing.

Now, what's in your pantry? Isn't it time for a little Serious-Play with your food? For those who have enough, mangiare bene! Eat well, please consider what it might feel like to be very hungry, cold, lost, or frightened...and remember to SHARE a little more than you think you can.